Tag Archives: painting

1 MULHER 1 CADEIRA [ 1 WOMAN 1 CHAIR]

by LizzieRz

ESTAMPA, graphic design on architectural design

ESTAMPA, graphic design on architectural design

ABOUT KISSES & HUGS, acrylic painting on canvas, digital photo, collage

ABOUT KISSES & HUGS, acrylic painting on canvas, digital photo, collage

RUN FREE, pencil and pen on paper and digital graphic design

RUN FREE, pencil and pen on paper and digital graphic design

CHAIRS, pencil and pen on paper and digital graphic design

CHAIRS, pencil and pen on paper and digital graphic design

WOMAN, pencil and pen on paper and digital graphic design

WOMAN, pencil and pen on paper and digital graphic design

OPOSTOS, pencil and pen on paper and digital graphic design

OPOSTOS, pencil and pen on paper and digital graphic design

1 MULHER 1 CADEIRA, pencil  and pen on paper and digital graphic design

1 MULHER 1 CADEIRA, pencil and pen on paper and digital graphic design

ALONE, pencil and pen on paper and digital graphic design

ALONE, pencil and pen on paper and digital graphic design

MELANCIA, photography and acrylic painting

MELANCIA, photography and acrylic painting

LARANJAS, photography and acrylic painting

LARANJAS, photography and acrylic painting



LizzieRz-SAMSUNGLizzieRz is a Brazilian Architect and Urbanist, internationally recognized and quoted in the press for her artistic and architectural projects. Throughout her career she’s worked in a broad artistic universe–design, graphic design, painting, drawing, sculpture, and literature. As an artist, Liz likes to choose simple details in everyday context and expand them to reveal new patterns.

You can learn more about LizzieRz here:

http://www.lizzierz.com/

http://www.soulempreendimentos.com/

https://twitter.com/LizzieRz

Marzena, French-Polish artist-painter

Marzena Lavrilleux 1

Marzena Lavrilleux 2

Marzena Lavrilleux 3

Marzena Lavrilleux 4

Marzena Lavrilleux 5

Marzena Lavrilleux 6

Marzena Lavrilleux 7

Marzena Lavrilleux 8

Marzena Lavrilleux 9

Marzena Lavrilleux 10

Marzena Lavrilleux 11

Marzena Lavrilleux 12

Marzena LavrilleuxArtist: Marzena Lavrilleux
Born in Lodz (Poland) in 1969, I came to France at the end of 2007 and I’m now living in Orleans. I’ve painted since 2008. Before arriving in France, I worked with a Polish artist. We made a few fashion shows in Poland (Warsaw and Lodz). Until then, my artistic sense was expressed more in fashion clothing. The ability to express emotions through painting has always fascinated me. It was something of a revelation, not of my artistic side, but my ability to express myself on a canvas. In my paintings, I want to express my emotions, which are sometimes extreme. I never prepare what I am going to paint, it is a spontaneous expression of my imagination. Most of my paintings are dark for the reasons mentioned above. My paintings are subjective because I have no perception of people who will view them. So everyone will see what he or she wants.

Learn more about Marzena and see more of her work at her Website and Facebook page.

Projections

by J. Adam McGalliard

"Pink Magnolias," Oil on Linen

“Pink Magnolias,” Oil on Linen

"Sunflower Fields,"  Oil on canvas

“Sunflower Fields,” Oil on canvas

"Troche", Oil on canvas

“Troche”, Oil on canvas

"Allison," Oil on Linen on Panel

“Allison,” Oil on Linen on Panel

"Antonia," Oil on Panel

“Antonia,” Oil on Panel

"After Arcimboldo 1,"  C-Print

“After Arcimboldo 1,” C-Print

"After Arcimboldo 3," C-Print

“After Arcimboldo 3,” C-Print

"Headless," C-Print

“Headless,” C-Print

"Intake," C-Print

“Intake,” C-Print

J. Adam McGalliard, The Scream

“The Scream,” C-Print

J. Adam McGalliard received an MFA from the New York Academy of Art with a scholarship for study and a BFA from the University of North Carolina at Greensboro where he was the recipient of the Myrtle Reeves Scholarship. McGalliard taught painting, drawing, and printmaking as a faculty member at the Sawtooth Center for Visual Art in Winston-Salem, NC. In New York, he taught as an Adjunct Painting Professor at Brooklyn College and the City University of New York. He also worked as a Post Graduate Teaching Assistant at the New York Academy of Art, NYC.  For Five years he worked as a painter and sculptor for world-renowned artist Jeff Koons.

His latest work is a series of photographs and paintings involving the projection of images on figures. The photographs are works in and of themselves while also informing the painting process. The projected image works as a double-edged sword. It can starkly reveal something that is hidden, like the writhing tattoos of the Illustrated Man, or it can mask an individual as a concealing veil or garment that creates a protected outer hull.

Learn more about Adam and see more of his work at his Website or visit his Facebook page.

Works by Verena Baumann

"Scintillula" Oil paint and pencil on paper ca. a4 2012

“Scintillula”
Oil paint and pencil on paper
ca. a4
2012

"Double flute" Oil paint and pencil on paper ca. a4 2012

“Double flute”
Oil paint and pencil on paper
ca. a4
2012

"O courageous" Photography 2011

“O courageous”
Photography
2011

"Birds in a tree" Acrylic painting on canvas size 40 cm x 30 cm 2013

“Birds in a tree”
Acrylic painting on canvas
size 40 cm x 30 cm
2013

"Arch brown gold" Acrylic painting on canvas, monotype 70 cm x 50 cm 2007

“Arch brown gold”
Acrylic painting on canvas, monotype
70 cm x 50 cm
2007

"Linguistically" Photography 2010

“Linguistically”
Photography
2010

"Carriage" Acrylic painting 30 cm x 40 cm 2008

“Carriage”
Acrylic painting
30 cm x 40 cm
2008

"Street refuge blue pink" Acrylic painting on canvas, monotype 50 cm x 70 cm 2006

“Street refuge blue pink”
Acrylic painting on canvas, monotype
50 cm x 70 cm
2006

"Sphere 4" Acrylic painting on canvas  55 cm x 46 cm  2007

“Sphere 4”
Acrylic painting on canvas
55 cm x 46 cm
2007

"Aureous being" Oil paint and pencil on paper ca. a4 2011

“Aureous being”
Oil paint and pencil on paper
ca. a4
2011

"The open" Photography 2012

“The open”
Photography
2012

"All about women" Pencil and oil paint on paper  ca. a4 2012

“All about women”
Pencil and oil paint on paper
ca. a4
2012

"Oyseaux, arbres" Oil paint and pencil on paper 2011

“Oyseaux, arbres”
Oil paint and pencil on paper
2011

"How" Photography 2013

“How”
Photography
2013

"Silk apple-tree"  Acrylic painting on canvas 40 cm x 30 cm 2013

“Silk apple-tree”
Acrylic painting on canvas
40 cm x 30 cm
2013

Verena Baumann portraitSwiss visual artist, Verena Baumann, was born in 1964 and has been working for thirty years with paint, pencil, scissors and a camera. After beginning her career as a graphic designer she expanded her interests and activities towards the freedom of a more personal art form. By living a less compromised life, she began to discover and explore a more instinctive use of line, shape, color, texture, and composition. Balancing the union of harmony and fragmentation is a primary motivation in her search for artistic truth. Today she explores spontaneousness and improvisation as a transforming fuel, nurturing her love for painting. The pursuit of ordinary magic became the most valued attribute for her creations. Find out more about Verena at http://about.me/verenabaumann.

Honorarium

by Brent Houzenga

Brent Houzenga 2

Brent Houzenga 3

Brent Houzenga 4

Brent Houzenga 5

Brent Houzenga 6

brent from website 3

Brent Houzenga 8

brent from website 4

Brent Houzenga 9

Brent Houzenga 7

Brent HouzengaIn 2006 Brent Houzenga stumbled across a discarded photo album with portraits from the 1890s. This set off a surge of inspiration. Since then Brent has amassed an extensive body of work, attempting to breathe new life into the individuals in the photographs through vibrantly colored abstract paintings that incorporate stencil work and spray paint. His graffiti style brings a bold contemporary touch to the “old-timey” figures.

Later, Brent extended this style to contemporary portraits. He frequently uses one image over and over again, casting each subject in a new light by layering a new design on top. This allows him endless opportunities to explore the various facets of an individual’s character. His paintings are bright and bold. They draw interesting links between the past and the present, and between what we perceive and what is real.

Check out more of Brent’s work at his website. Contact him at BrentHouzenga@hotmail.com.

Dispatches from Atlanta: Love and Hate in the South

By Maxwell Sebastian

Maxwell Sebastian 1

Maxwell Sebastian 2

Maxwell Sebastian 3

maxwell sebastian 4

Maxwell Sebastian no 5

Maxwell Sebastian no 6

DV IMAGE

OLYMPUS DIGITAL CAMERA

Maxwell Sebastian 9

Maxwell Sebastian 10

Maxwell Sebastian 11

Maxwell Sebastian 12

Maxwell Sebastian 13

Maxwell Sebastian 14

Maxwell Sebastian 15

Maxwell Sebastian 16

Maxwell Sebastian 17

Maxwell Sebastian 18

Maxwell Sebastian
Maxwell Sebastian was born in 1979 in Atlanta GA. He spent his early years in the metro Atlanta area, but moved and spent his teens and early 20’s in Philadelphia, PA. 2002-2003 brought him back to Atlanta. He’s a self-taught artist and has been exhibiting since 2000-20001. Check out more of his work at his website.

Safe as Houses

By Hilary Yarbrough

Pine--Hilary Yarbrough

Pine

Little Haus-Hilary Yarbrough

Little Haus

Hilary Yarbrough--Ice Floe

Ice Floe

Hilary Yarbrough--Future Home

Future Home

Birds--Hilary Yarbrough

Birds





Artist: Hilary Yarbrough Hilary Yarbrough
I began drawing at a young age as a way to break down what I was taking in and to understand every moving part. As an adult, I am still breaking the world down into pieces, as a means to stop it for a moment and give an image to every story. I am self-taught, and my favorite mediums are those which are more volatile–the watercolors and inks and gouaches–because they do what they want, as opposed to the final outcome being entirely in my hands. I try to be playful–if dark–when I paint, to lessen the weight of reality, but also to remind myself that I am small and everything is fine.

Check out more of Hilary’s work at Anti Illustrator.

More Than

by Ilisa M. Millermoon

When I began painting female figures I chose to title the series “More Than.”

Ilisa Millermoon, More Than series, No. 2036

Ilisa Millermoon, More Than No. 2036

This was in direct defiance of a notion with which I was inundated growing up: women were less than.

Ilisa Millermoon, More Than Series, No. 2032

Ilisa Millermoon, More Than No. 2032

We are Divine creatures with many facets. The physical is only one facet.

Ilisa Millermoon, More Than series, No. 2044

Ilisa Millermoon, More Than No. 2044

We are physical, spiritual, emotional, intellectual, passionate. We are “More Than.”

Ilisa Millermoon, More Than No.2049

Ilisa Millermoon, More Than No.2049

The moment we embrace ourselves as Divine creatures we know no limits to our creative expression.

 

Ilisa Millermoon is an intuitive energy artist. When she places acrylic ink on a piece of paper, she has no preconceived notion of what the work will turn out to be. Instead, she invites the ink to dance with her, to go where it may. The results are astounding, and Ilisa loves sharing her joy, experience, and energy with others. Her mission statement is:

Celebrating the Strength, Passion and Divinity

    of Women through Color

Visit her website and check out her portfolio at Fine Art America.

 

Why I Paint

by Holly Friesen

I paint because I have to.  It is like the air I breathe, completely necessary to my brief existence here on earth.  I paint to understand.  Often my mind is far behind understanding what is appearing on the canvas.  There is a body of wisdom that takes over when I hold a brush in my hand.  When I trust this inner wisdom, sometimes I am able to let go and dance with the paint.  I paint to survive.  My deeply felt connection with the earth is my inspiration and the more I listen to the stories within the rocks, trees, rivers, and sky, the more I need to paint.  I paint because I have to.

I like to work as large scale as possible because this allows greater movement and physicality with the painting. I often collage spiral patterned Washi (handmade Japanese paper)  into my work.  For me this adds a random and surprising element that says, “look deeper, there is more going on here than meets the eye.”  The spiral is a fascinating, ancient image and a primal symbol in the history of humankind.

My favorite way to paint is to choose from a rather eclectic music mix and allow the sounds to draw me out of my head and into my body.  As my mind stops chattering, colors and shapes become a visceral language and I respond intuitively following my own breath, heartbeat, and movement from within.

 

Earth Bowl - Overflow / diptych 100" x 60" / acrylic on canvas

Earth Bowl – Overflow / diptych 100″ x 60″ / acrylic on canvas

Crying Rocks / 40" x 60" / acrylic on canvas

Crying Rocks / 40″ x 60″ / acrylic on canvas

Rocks Attending the River / 18" x 22" / acrylic on panel board

Rocks Attending the River / 18″ x 22″ / acrylic on panel board

Nestled / 30" x 24" / acrylic on panel board

Nestled / 30″ x 24″ / acrylic on panel board

Inward Reflection / 48" x 72" / acrylic on canvas

Inward Reflection / 48″ x 72″ / acrylic on canvas

Crying Lake / 16"' x 20" / acrylic on panel board

Crying Lake / 16″‘ x 20″ / acrylic on panel board

Shimmer / 54" x 72" / acrylic on canvas

Shimmer / 54″ x 72″ / acrylic on canvas

Weaving Roots of Time / triptych 48" x 72" / acrylic on canvas

Weaving Roots of Time / triptych 48″ x 72″ / acrylic on canvas

Forest Qualia / diptcyh 72" x 48" / acrylic on canvas

Forest Qualia / diptcyh 72″ x 48″ / acrylic on canvas

Sky Becoming Road / 36" x 48" / oil on canvas

Sky Becoming Road / 36″ x 48″ / oil on canvas

Spirit Island / acrylic on canvas / 24" x 30"

Spirit Island / acrylic on canvas / 24″ x 30″

Rocks in Moonlight / 18" x 22" / acrylic on panel board

Rocks in Moonlight / 18″ x 22″ / acrylic on panel board

Lover's Limbs / 36" x 48" / acrylic on canvas

Lover’s Limbs / 36″ x 48″ / acrylic on canvas

Ever Evolving Earth / 54" x 72" / acrylic on panel board

Ever Evolving Earth / 54″ x 72″ / acrylic on panel board

Telluric Rhythm / 36" x 48" / acrylic on canvas

Telluric Rhythm / 36″ x 48″ / acrylic on canvas

Natura Imaginalis / 30" x 24" / acrylic on panel board

Natura Imaginalis / 30″ x 24″ / acrylic on panel board

Blood of the River God / 36" x 48" / acrylic on panel board

Blood of the River God / 36″ x 48″ / acrylic on panel board

                                                                               

Holly FriesenHolly Friesen

Artist Statement:

My work revolves around earth-honoring images that reflect and instill connection to local bio-regions. These images internalize a reverence for the earth and shift the intent from harming the world to living in a mutually life-enhancing manner.

After 30 years of painting from close observation of the forests, rocks and rivers, I feel I am no longer observing the natural world around me but rather, in a reversal of roles, the natural world seems to be observing me. Direct and spontaneous brushstrokes become intuitive movements that follow breath and echo emotional responses to this living, breathing vitality. Through a dynamic energetic exchange I feel as though I am being held within an intelligent, sentient field that expresses itself through colors, shapes and movement. I am both humbled and awed by this process.

I particularly enjoy the physicality of painting, the intuitive mark making, the hands-on application of collage and sometimes the direct carving into the panel board. They bring me even closer to the work. I enter an unconscious wilderness through my hands and body; a primal, non-verbal process that is rich with metaphor & images. Often as I work vivid dream images arise and replace my rational, thinking brain with sensations and feelings that are experienced physically in my body.

I learn what I need to know by painting. The more I paint the less separation there is between inner and outer ecologies which results in a linking of perceptions with the natural world where attempts to define or control are useless. For me, painting is like deep prayer awakening a reverence for the earth’s inner landscape; the image is in you and you are in the image. Painting is my breath, beauty my compass, and the earth my body.

Check out Holly’s website and online portfolio.

Twitter: @holly59

Email: hollyfriesen@gmail.com